Preston has a hard time convincing his wife Anita about engaging in other types of lovemaking... She feels that he is insensitive about her sexual desires, liking only basic sex, but a very aggressive Preston has other ideas in mind. Anita confides in her best friend Pam for help and gets some good advice. Pam had the same problem and after some great girl-girl action with Anita, gives her the phone number of a specialist. At the clinic, Dr. Marley shows Anita several educational films about other forms of lovemaking and conducts several experiments. As part of the therapy, the doctor and his aide perform in the office while a curious and eager Anita watches them with intensity. Doc Marley calls Preston into the office and the film concludes in a wild orgy!!

Preston has a hard time convincing his wife Anita about engaging in other types of lovemaking... She feels that he is insensitive about her sexual desires, liking only basic sex, but a very aggressive Preston has other ideas in mind. Anita confides in her best friend Pam for help and gets some good advice. Pam had the same problem and after some great girl-girl action with Anita, gives her the phone number of a specialist. At the clinic, Dr. Marley shows Anita several educational films about other forms of lovemaking and conducts several experiments. As part of the therapy, the doctor and his aide perform in the office while a curious and eager Anita watches them with intensity. Doc Marley calls Preston into the office and the film concludes in a wild orgy!!

Don Vito Leoni, the Godfather, is clinically depressed. The world has changed and he hasn't. He'd like to retire, but if he left the "family business" to his two idiot sons, they'd be dead in a minute. So he decides to go legit, which convinces everyone that he must be completely off the deep end. To preserve their cushy lives, his dysfuntional family conspires to get him some psycho-therepy. So his boys kidnap a "piasan" shrink and order him to "fix" their father. This film, which premired on Showtime, pre-dated the very similarly plotted "Analyze This" by over a year.

Directed by French Director Christian Faure and released in 2014, The Law brilliantly traces three days, in late Fall 1974, of stormy debate in the French National Assembly, around a bill which would make "voluntary termination of pregnancy" legal. Behind this bill stands a lone woman brilliantly played by a remarkable Emmanuelle Devos (also in The Other Son): Simone Veil the Minister of Health in the Jacques Chirac government during the presidency of Valéry Giscard d'Estaing. During these three days of violent debate Veil, a Jew and Holocaust survivor, is spared nothing: political negotiations, solitude, sparring arguments, insults and violence to her family. In spite of all of this, Veil never wavers.

An examination of the workings of a big city's legal system as seen through the eyes of people involved in a sensational murder trial.

Reunion movie from the popular TV series reunites most of the original cast from the Los Angeles law firm of McKenzie-Brackman. In the eight years since the series ended, the founding senior partner, Leland McKenzie, has retired and left Douglas Brackman, Jr. as the senior managing partner. New employees to the firm are Brackman's over-achieving son Jason, who's at odds with his father, and ambitious and conniving associate Chloe Carpenter at odds with others. Former partner Michael Kuzak, now a successful restaurant owner, is called out of retirement to help stop the impeding execution of a former client on death row and the opposing counsel is Kuzak's old flame Grace Van Owen.

Reunion movie from the popular TV series reunites most of the original cast from the Los Angeles law firm of McKenzie-Brackman. In the eight years since the series ended, the founding senior partner, Leland McKenzie, has retired and left Douglas Brackman, Jr. as the senior managing partner. New employees to the firm are Brackman's over-achieving son Jason, who's at odds with his father, and ambitious and conniving associate Chloe Carpenter at odds with others. Former partner Michael Kuzak, now a successful restaurant owner, is called out of retirement to help stop the impeding execution of a former client on death row and the opposing counsel is Kuzak's old flame Grace Van Owen.

Rock documentary with excellent production values, 29 July 2006 　　Author: Chris_Docker from Scotland, United Kingdom 　　The film kicks off with a quote from Nirvana's Kurt Cobain, about his famous song, Smells Like Teen Spirit: "I was basically trying to rip off the Pixies." As a tribute documentary, loudQUIETloud goes on to explore the Pixies strange career and provide some clues to why they have been so influential. 　　The Pixies established themselves musically with deep contrasts, not just in volume (as the title suggests) but by combining many strange elements, melodic and abrasive, and cryptic lyrics - they are almost like a David Lynch rock experience (one of their songs is a cover from a song in Lynch's early Eraserhead). What made them extraordinary is that they disbanded just as they approached critical acclaim (within six years) and didn't reap the benefits of their popularity until they re-formed nearly twelve years later - at which point this movie begins. 　　Tickets for their 2004 reunion tour sold out in four minutes, but the band members are no longer young. As the film develops we see some have families with small children, but they all have outside interests, musical or otherwise, and 'being the Pixies' is hardly something they identify with beyond a sense of responsibility to make sure the live performances go well. The detachment is so great that a struggling interviewer, asking an innocuous question about whether they will make another album, is nonplussed that the band really haven't considered the question one way or the other. 　　Lead singer Frank Black ('Black Francis') is a bulky, almost intimidating figure with a shaven head, so it's something of a revelation to see him doing positive affirmations before bed, telling himself, "I am a nice person, people like me . . ." Bassist Kim Deal looks with surprise at the blisters on her fingers after the first concert - Frank reassures her they'll get better in about a week. Both of them continue working on their own material while on tour, Kim for the Breeders and Frank on his solo work. The band seem to accept that it is not in their natures to talk to each other much, even when they are getting on fine, but they seem more mature than the days of early acrimony where one or the other would unilaterally make public announcements of the band's imminent break-up. 　　The sound and camera-work throughout is first rate, so if you like the Pixies even a little bit, this is a rare opportunity to experience them at their best. For those who have never heard of them, you might recall the song, 'Where Is My Mind?' as the exit music to the film Fight Club, or sections from their records 'Gigantic' and 'Hang Wire in the United States of Leland. For fans, the song listing taken from the credits includes: Where is My Mind, Hey, Here Comes Your Man, U-Mass, Caribou, Gouge Away, Nimrod's Son, In Heaven, Wave of Mutilation, Something Against You, Bone Machine, Cactus, Vamos, Monkey Gone to Heaven and also the Breeders song Iris.

Rock documentary with excellent production values, 29 July 2006 　　Author: Chris_Docker from Scotland, United Kingdom 　　The film kicks off with a quote from Nirvana's Kurt Cobain, about his famous song, Smells Like Teen Spirit: "I was basically trying to rip off the Pixies." As a tribute documentary, loudQUIETloud goes on to explore the Pixies strange career and provide some clues to why they have been so influential. 　　The Pixies established themselves musically with deep contrasts, not just in volume (as the title suggests) but by combining many strange elements, melodic and abrasive, and cryptic lyrics - they are almost like a David Lynch rock experience (one of their songs is a cover from a song in Lynch's early Eraserhead). What made them extraordinary is that they disbanded just as they approached critical acclaim (within six years) and didn't reap the benefits of their popularity until they re-formed nearly twelve years later - at which point this movie begins. 　　Tickets for their 2004 reunion tour sold out in four minutes, but the band members are no longer young. As the film develops we see some have families with small children, but they all have outside interests, musical or otherwise, and 'being the Pixies' is hardly something they identify with beyond a sense of responsibility to make sure the live performances go well. The detachment is so great that a struggling interviewer, asking an innocuous question about whether they will make another album, is nonplussed that the band really haven't considered the question one way or the other. 　　Lead singer Frank Black ('Black Francis') is a bulky, almost intimidating figure with a shaven head, so it's something of a revelation to see him doing positive affirmations before bed, telling himself, "I am a nice person, people like me . . ." Bassist Kim Deal looks with surprise at the blisters on her fingers after the first concert - Frank reassures her they'll get better in about a week. Both of them continue working on their own material while on tour, Kim for the Breeders and Frank on his solo work. The band seem to accept that it is not in their natures to talk to each other much, even when they are getting on fine, but they seem more mature than the days of early acrimony where one or the other would unilaterally make public announcements of the band's imminent break-up. 　　The sound and camera-work throughout is first rate, so if you like the Pixies even a little bit, this is a rare opportunity to experience them at their best. For those who have never heard of them, you might recall the song, 'Where Is My Mind?' as the exit music to the film Fight Club, or sections from their records 'Gigantic' and 'Hang Wire in the United States of Leland. For fans, the song listing taken from the credits includes: Where is My Mind, Hey, Here Comes Your Man, U-Mass, Caribou, Gouge Away, Nimrod's Son, In Heaven, Wave of Mutilation, Something Against You, Bone Machine, Cactus, Vamos, Monkey Gone to Heaven and also the Breeders song Iris.

In order to earn her trust fund, Evie is tasked with granting Christmas wishes to the people who saved her life on the night of her birth. To aid in her cause, she employs Kyle, a handsome local attorney, to track down those who helped and attempts to secretly learn what they might want while maintaining her anonymity. With Christmas fast approaching, the heiress and the attorney can't resist falling for each other's charms as they ramp up their gift giving efforts. But as time ticks down, will she be able to accomplish the mission and grant all of the wishes by Christmas Eve?